Editorial Reviews. Review. "By viewing A la recherche as a narative of disease Finn succeeds in clarifying many aspects of the novelist's manner and matter.
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- Proust, the Body and Literary Form
Since its first title was published in , Cambridge Studies in French has provided the context for innovative and influential volumes in French literature and culture. The series has now completed its commissioning programme. To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
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Cambridge Studies in French
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Check if you have access via personal or institutional login. Log in Register Recommend to librarian. This is the first full-length study in English of Michel Leiris's work. Frequently cited as a central figure in contemporary French culture, Leiris was an outstanding writer whose double career as ethnographer and creative writer places him at important points of intersection within French cultural history. Hand locates his writing in these different contexts in relation to the major artistic, political and philosophical concepts of the period.
More broadly, Hand explores Leiris's continuing obsession with the notion of 'presence'. Informed by recent critical theories, Hand offers a multi disciplinary approach to this intriguing writer. Writing Marginality in Modern French Literature, first published in , explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves.
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- Proust, the body, and literary form / Michael R. Finn - Details - Trove.
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It analyses the hierarchies of cultural value which inform the work of six modern French writers: Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux , reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference.
Nathalie Sarraute —99 is regarded as one of the major French novelists of the twentieth century. Initially hailed as a leading theorist and exemplar of the nouveau roman, she has come to be regarded as an important author in her own right with her own distinctive concerns. In this major study of Sarraute, the first in English since her death, Ann Jefferson offers a fresh perspective on Sarraute's entire oeuvre - her novels, her outstanding autobiography Enfance and her influential critical writings - by focusing on the crucial issue of difference which emerges as one of her central preoccupations.
Drawing on a variety of critical approaches, Jefferson explores Sarraute's fundamental ambivalence to differences of various kinds including questions of gender and genre. She argues that difference is simultaneously asserted and denied in Sarraute's work, and that the notion of difference, so often celebrated by other writers and thinkers, is shown in Sarraute's work to the inseparable from ambiguity and anxiety.
In this book Floyd Gray explores how the treatment of controversial subjects in French Renaissance writing was affected both by rhetorical conventions and by the commercial requirements of an expanding publishing industry. Focusing on a wide range of discourses on gender issues - misogynist, feminist, autobiographical, homosexual and medical - Gray reveals the extent to which these marginalized texts reflect literary concerns rather than social reality. He then moves from a close analysis of the rhetorical factor in the Querelle des femmes to consider ways in which writing, as a textual phenomenon, inscribes its own, sometimes ambiguous, meaning.
This book addresses the issues of collecting, consuming, classifying and describing the curiosities, antiques and objets d'art that proliferated in French literary texts during the last decades of the nineteenth century.
Cambridge Studies in French
Flaubert and Zola scorned them. Rachilde and Lorrain perverted them. Proust commemorated their last moments of glory. Focusing on the bibelot the modern French term for knick-knack, curiosity or other collectible , Janell Watson shows how the sudden prominence given to curiosities and collecting in nineteenth-century literature signals a massive change in attitudes to the world of goods, which in turn restructured the literary text according to the practical logic of daily life, calling into question established scholarly notions of order.
Proust, the Body and Literary Form
Her study makes an important contribution to the literary history of material culture. Tidd first analyses Beauvoir's notions of selfhood in her philosophical essays, and then discusses her four autobiographical and two biographical volumes, along with some of her unpublished diaries, in an attempt to explore notions of selectivity, and the politics of truth-production and reception. Add to cart Add to wishlist Other available formats: Hardback , eBook Looking for an inspection copy? This title is not currently available on inspection.
Exciting angle on Proust's thinking and writing Revealing exploration of late nineteenth-century French medical and psychological texts, in a literary context Broad coverage putting Proust into his literary and cultural context and accessible style. Log in to review. How do you rate this item? Reviews must contain at least 12 words about the product. Table of Contents Acknowledgements Abbreviations Introduction 1. This title is available for institutional purchase via Cambridge Core Cambridge Core offers access to academic eBooks from our world-renowned publishing programme.
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