All works with audio sample: piano notes, choir notes and notes for many other instruments and ensembles Skizze (Sketch) No. 4, Db Major (for pedal piano) (op .
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- Midland Seventh-day Adventist Church--Concert Series
- Carole Terry plays the Watjen Concert Organ
- Altenberg Trio Wien
Musicalion Player Add new! You must be logged in to use this feature. You must have paid membership or be a no cost-registered participant of the Musicalion web page. These participants also get access to their "intern"'-section. Free sheet music for members. If you have fixed a notation mistake, then we would be grateful if you could inform us as such. Please indicate here which file and what have you improved. Birthday March Geburtstagsmarsch op. Contrapuntal layering occurs at the beginning of the second movement, "Mit innigem Ausdruck" With intimate expression.
Dotted rhythms in the string melody contrast with the constant triplets in the piano part, the left hand of which provides yet another layer of melody.
Midland Seventh-day Adventist Church--Concert Series
Although it begins in D flat major, the movement quickly shifts to A major for a rapid violin line. A central, "Lively" section introduces new, detached material before the highly modified return to the opening. In contrast to Schumann's first Piano Trio, Op. The brief canons appear between the violin and cello at the beginnings of the movement and the contrasting scherzo theme. In the sparse Trio, the imitative passages are between the piano and cello, just before a transformation of the main scherzo theme.
A coda brings the movement to a quiet, hesitant close. Marked "Nicht zu rasch" Not too fast , the Finale returns to F major. The dense piano part dominates the movement as each appearance of the opening idea is further transformed. Marked Bewegt, doch nicht zu rasch Agitated, but not too fast , it opens with a dark, restless theme of Romantic temperament played first by the violin, but quickly taken up by the cello.
The music is full of passion and mystery here, Schumann achieving a profound expressive depth. A sweeter second theme is presented and the exposition is then repeated. After a stormy and imaginative development, the themes are reprised and the movement quietly concludes.
The second movement, marked Ziemlich langsam Rather slowly , features a lovely, passionate theme played by the strings and a turbulent middle section that leaves the impression its violent music is an intrusion on the serene beauty of the outer sections. The ensuing panel Rasch -- Rapid , at about four minutes, is the shortest of the four movements.
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Its anxious, descending main theme alternates with a sweetly lyrical melody, then later with its chipper variant, both perfect foils for their dark sibling. The main theme is ebullient in its folk-like charm and infectious downward runs, graceful and bright in its chipper mood. The thematic development that comes later is deftly imagined, as is the alternate material. The work came at a happy time in the composer's life: The four pieces, or movements, comprising the trio are "Romanze," "Humoreske," "Duett," and Finale.
The "Romanze" opens in a tentative, mysterious mood, but then turns warmly Romantic, the piano dominating throughout.
Carole Terry plays the Watjen Concert Organ
Lasting only two-and-a-half minutes or so, this is the shortest of the four pieces. The ensuing "Humoreske," marked Lebhaft Lively , is the longest at about seven minutes and, by contrast, quite chipper and playful in its outer sections, featuring one of Schumann's catchiest themes. Its repetitive rhythmic downward turn gives this piece its self-deprecating wit, or its "humorous" manner. The interior panel here is lively and heroic, but does not completely break with the playful character of the opening. Following a driving, intense episode based on the main theme, the theme returns to its original guise to close out the movement.
Altenberg Trio Wien
The "Duett" that follows, marked Langsam und mit ausdruck Slowly and with feeling , is for cello and violin, the piano providing a soft, running accompaniment to their passionate singing. The Finale, designated Im Marsch-Tempo In march tempo , exhibits a heroic character at the outset, but turns lighter and more playful in succeeding variations. Neither collection is performed very often on the instrument specified by the composer, but played instead on organ and sometimes on piano.
The pedal piano has a curious sound to modern ears, though it resembles the organ in its sustaining sonorities.
The Sketches 4 comprising Schumann 's Op. The first two Sketches are marked Nicht schnell und sehr markiert Not fast and very marked and exhibit thematic similarity in more than just the first few notes of their respective main themes. In the first Sketch C minor , the opening theme appears as a hesitant march-like creation that moves forward in jerky motions, but amid a measure of pomp. In the second piece C major , the melody is more grandiose and celebratory, quite festive and regal in mood.
The third Sketch F minor is marked Lebhaft Lively , wherein there is an over anxious running accompaniment in the left hand of a dramatic motif of six notes related to the themes in the first two pieces is heard. The last of the Sketches D flat major , marked Allegretto, features a variant on that same motivic morsel, but in playful, jaunty music.
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All of these pieces are worthwhile efforts, whether heard on pedal piano or organ, or even on piano. AllMusic relies heavily on JavaScript.